I will post tomorrow more information about this event..as for now it's
the painting from the workshop and "the painter's prime" by Irwin Greenberg ( every artist must read)
|"Airy Morning" oil on linen, 16x20|
Irwin Greenberg circulated this primer to his students at the High School of Art & Design and the Art Students League of New York. He died, age 87, in 2009.
Like a lot of realist painters, I started teaching as a way to stabilize my income. I was amazed to discover that it would be one of the most meaningful experiences of my life. Somehow, everything I have learned in my life found a place in the studio classroom. Teaching also forced me to objectify my thoughts and make them comprehensible to my students. But the greatest reward, by far, was getting to know that special kind of person, the art student.
His hunger to learn and commitment to what Robert Henri called the “art spirit” has been a never-ending inspiration to me. I am sure I got the larger share in the exchange.
1. Paint every day.
2. Paint until you feel physical strain. Take a break and then paint some more.
4. When at an impasse, look at the work of masters.
5. Buy the best materials you can afford.
6. Let your enthusiasm show.
7. Find a way to support yourself.
8. Be your own toughest critic.
9. Develop a sense of humor about yourself.
10. Develop the habit of work. Start early every day. When you take a break, don’t eat. Instead, drink a glass of water.
11. Don’t settle for yourself at a mediocre level.
12. Don’t allow yourself to be crushed by failure. Rembrandt had failures. Success grows from failure.
13. Be a brother (or sister) to all struggling artists.
14. Keep it simple.
15. Know your art equipment and take care of it.
16. Have a set of materials ready wherever you go.
17. Always be on time for work, class, and appointments.
18. Meet deadlines. Be better than your word.
19. Find a mate who is really a mate.
20. Don’t be envious of anyone who is more talented than you. Be the best you can be.
21. Prizes are nice, but the real competition is with yesterday’s performance.
22. Give yourself room to fail and fight like hell to achieve.
23. Go to sleep thinking about what you’re going to do first thing tomorrow.
24. Analyze the work of great painters. Study how they emphasize and subordinate.
25. Find out the fewest material things you need to live.
26. Remember: Michelangelo was once a helpless baby. Great works are the result of heroic struggle.
27. There are no worthwhile tricks in art; find the answer.
28. Throw yourself into each painting heart and soul.
29. Commit yourself to a life in art.
30. No struggle, no progress.
31. Do rather than don’t.
32. Don’t say “I haven’t the time.” You have as much time everyday as the great masters.
33. Read. Be conversant with the great ideas.
34. No matter what you do for a living, nurture your art.
35. Ask. Be hungry to learn.
36. You are always the student in a one-person art school. You are also the teacher of that class.
37. Find the artists who are on your wavelength and constantly increase that list.
38. Take pride in your work.
39. Take pride in yourself.
40. No one is a better authority on your feelings than you are.
41. When painting, always keep in mind what your picture is about.
42. Be organized.
43. When you’re in trouble, study the lives of those who’ve done great things.
44. “Poor me” is no help at all.
45. Look for what you can learn from the great painters, not what’s wrong with them.
46. Look. Really look.
47. Overcome errors in observing by exaggerating the opposite.
48. Critics are painters who flunked out.
49. Stay away from put-down artists.
50. If you’re at a loss for what to do next, do a self-portrait.
51. Never say “I can’t.” It closes the door to potential development.
52. Be ingenious. Howard Pyle got his start in illustration by illustrating his own stories.
53. All doors open to a hard push.
54. If art is hard, it’s because you’re struggling to go beyond what you know you can do.
55. Draw everywhere and all the time. An artist is a sketchbook with a person attached.
56. There is art in any endeavor done well.
57. If you’ve been able to put a personal response into your work, others will feel it and they will be your audience.
58. Money is O.K., but it isn’t what life is about.
59. Spend less than you earn.
60. Be modest; be self-critical, but aim for the highest.